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| Thousands of Japanese gathered at the Fuji TV headquarter to stop airing Korean dramas and TV shows (Source: http://www.newsis.com/pict_detail/view.html?cID=10600&pict_id=NISI20110808_0004944621) |
Related article: Japanese march against Korean Soap Operas http://english.chosun.com/site/data/html_dir/2011/08/22/2011082200679.html
Nevertheless, this protest seems like a minor movement compared to the actual craze for Korean culture in Japan nowadays. Just a month ago, in July, 45,000 fans were gathered at Tokyo Dome for K-pop Festival Music Bank in Tokyo, to attend concert by K-pop idols like Girls' Generation (SNSD), 2PM, Kara, 4minutes, Beast, Rainbow, Secret, and so forth. The concert took place as the daily temperature reached 35C in Tokyo, which shows the passionate welcome of K-pop culture by countless Japanese fans. Historically Tokyo Dome has been a special place open to only legendary Hollywood stars like Beyonce, Madonna, and Michael Jackson, yet even Beyonce could fill less than half the seats by bringing in 20,000 fans. By contrast, 50,000 fans filled the entire Tokyo Dome for a fan meeting with Lee Byung Hun in 2007, which was repeated in cases of Rain (Korean Singer), and many other Korean actors.
What is surprising is that there is no Japanese counterpart in Korean entertainment industry. Virtually no Japanese celebrity made through Korean market up until now, after 12 years of opening the cultural trade between the two countries. The apparent triumph of Korean entertainment business over Japanese industry was never even conceived possible twelve years ago, and it was South Korea which actually opposed to allowing cultural free trade between these two countries. The only area in which Japanese industries have been successful is cartoons and animation industries, yet recent Korean cartoons are also on the steep rise (A Korean cartoon 'Pororo' for example, which has been exported to 110 countries, earning its royalty income of 12million US$ per year).
Anyways, it seems to me that the vigorous protest against exporting Korean dramas actually becomes the counter-evidence of its enormous success in Japan. And perhaps it is true that Korean entertainment industry accomplished massive growth over the last two decades :)
